Thursday, December 1, 2011

In memory of David Sanjek

Last night when I heard the news about Dave, I couldn’t quite believe it. We had a friendly get-together planned for this coming weekend. How inconsiderate: he never said goodbye. But Dave could be sentimental, so I think that if he had to go, his doing it by slipping away was for the best. He died as he lived - a high flyer - and he died in his own native country.The last time I saw him in the flesh was a couple of weeks ago, when he popped his head into the jazz studies reading group that I attended at Salford. He was organizing another event that day and in retrospect I was sorry that I didn’t go. We stayed in email contact right up until he flew to the USA. He was going to argue the case for George Clinton to be added to the National Recordings...

Saturday, June 11, 2011

CFP - POPULAR MUSIC FANDOM, special issue of Popular Music and Society

Guest editor, Mark DuffettPopular Music and Society invites article proposals for a new special issue. Fandom is both a personal expression of emotional conviction and a complex, changing, multi-faceted social phenomenon that now encompasses both online and offline activity.The study of fandom is a scholarly niche that exists at the intersection of a wide range of interests and connections. It can be contextualized by wider media research (theory by scholars such as Henry Jenkins and Matt Hills; reception analysis; celebrity studies; ethnography; subcultural theory) and by direct research into popular music culture (ethnomusicology; research on listening; live music audiences; studies of music in everyday life).We invite papers with themes that may include, but are not limited to:· Fans as...

Monday, June 6, 2011

Making Things Whole Again - Take That Reunion Events

My friends Anja Lobert and Dr Tim Wise were busy last week putting on a double-header exhibition and conference on Take That, designed to coincide with the band's triumphant home run of several reunion dates at the Manchester City football stadium.For American readers who don't know them so well, Take That were a boyband from the North of England who had phenomenal success before splitting in 1996. In their heyday they had a string of chart-topping singles in the UK, but only one hit in the USA. After the break-up, all went their separate ways. The incomparable Robbie Williams went on to have a successful solo career. Gary Barlow became a credible singer-songwriter with a career in his own right. Some of the others - who were called Mark, Jason and Howard - released albums of their own. Then...

Friday, May 27, 2011

All Watched Over By Machines - Adam Curtiz, BBC2 documentary

The televisual essayist and social documentarian and Adam Curtis has just slipped out another fascinating series on BBC2. If the first episode 'Love and Power' is anything to go by, it's going to be a great ride. Curtis has a knack of weaving together the big picture of history with the personal struggles of those who made it. To aid him he also infuses some subtle popular music cues, such as Kraftwerk, on the soundtrack. In this episode Curtis explores Ayn Rand's role as the seismic catalyst to a wave of thinking that propelled the Republican notions of a society made up of independent "free" individuals. Inspired by Rand, Silicone Valley entrepreneurs led to a rush to promote new businesses on the back of a utopian vision of computer-based free market abundance. Yet their social dreams ignored...

Tuesday, May 24, 2011

"I Have Admired You for Many Years": Fandom and the Performance of Identity

Why fans of different celebrities behave in such similar ways? The 1999 documentary feature film A Conversation with Gregory Peck contained footage of the classic screen icon’s retirement tour of America. For much of the film, Peck recounts tales from his working life as an actor to live audiences of his now-middle aged fans. One woman that came all the way from England finally manages to meet her Hollywood icon backstage. The result is a loving exchange that can be found at about 7:13 within the above Youtube clip...Gregory Peck: Hello there. You came all the way from London for this evening, did you now?Peck fan: Absolutely. I’m speechless – I don’t know quite what to say.Gregory Peck: So tell me about yourself?Peck fan: Well, I’ve admired you for many years. I wanted to see for myself...

In the Shadow of Your Rattan Cane - On Modern Times (1936)

Here is your pop quiz challenge for the day... What have the following people got in common: Nat King Cole, his daughter Natalie, Rod Stewart, Barbara Streisand, Petula Clark, the late great Michael Jackson and cast of Glee? They all recorded a song that had its melody written as film sound track material by Charlie Chaplin. The heart-rendingly mawkish, bitter sweet 'Smile' gradually became an American songbook classic after Nat King Cole added his vocal to its 1954. Chaplin's feature film Modern Times had first appeared nearly two decades earlier, but it was not until the fifties that John Turner and Geoffrey Parsons added their lyrics. Modern Times itself is a classic of the modern era that found Chaplin in an ebullient mood, reprizing his role as the tragi-comic tramp for one last time...

Tuesday, March 22, 2011

Marilyn: The Last Sessions

"I belonged to the Public and to the world, not because I was talented or even beautiful but because I had never belonged to anything or anyone else." - Marilyn MonroeJust when you think TV is dead as a medium, killed by the twin imperatives of cutting costs and maximizing profits, a drama or documentary comes along to make you think again. This month it was 'Marilyn: The Last Sessions' screened on More 4. The sessions in question where not conducted in a photographic or recording studio; they were psychotheraputic encounters.I knew relatively little of the Marilyn myth before the programme (apart from that mushy Elton John song) and was impressed by its approach and production values. It painted a picture of a woman who blamed herself and never knew how to grow up. In the shadow of her absent...

Friday, March 4, 2011

Phonographic moments at the movies

Image: dan / FreeDigitalPhotos.netIs it just me, or is everyone else noticing a frequent use in contemporary cinema of the act of placing vinyl records on players to signify a passion for music listening? The latest example of this (after the likes of Tarantino's Deathproof, Lynch's Inland Empire and other films) appears in the basic but well-crafted remake action flick The Mechanic, where Jason Stratham plays an emotionally remote hit man (who else?) called Arthur Bishop with a penchant for Schubert's 'Trio Number 2 in E-flat Major.' So precious is Bishop about his vinyl collection that he boobie traps his phonograph in an attempt to murder a rookie upstart who acquires his property. When the music plays, jets of (CGI) flame roar across Bishop's...

In Media Res: Popular Music

I like the on-the-fly nature of this particular scholarly outlet. Recently they did a week on Pop music. The themes were:Monday February 7, 2011 – Ted Friedman (Georgia State University) presents: Tickling the Ivory TowersTuesday February 8, 2011 – Gavin Edwards (Rolling Stone) presents: Words, Words, WordsWednesday February 9, 2011 – James Hannaham (Pratt Institute) presents: Hide Your Kids! Hide Your Wife! Hide Your Husband!Thursday February 10, 2011 – Marc Weidenbaum (Disquiet.com) presents: "…Or Other Visual Media"Friday February 11, 2011 – Ivan Kreilkamp (Indiana University) presents: Free and Freer: Wikileaks and ViCKi LE...

Tuesday, February 8, 2011

In memory of Mick Karn (1958-2011)

Led by the memorable and uniquely fey David Sylvian, Japan were one of the most interesting art pop bands of the 1980s. Yesterday I learned that their bass player Mick Karn - the pink haired musician featured in the video here - had died of cancer about a month ago.My first real encounter with Japan came shortly after their heyday, when the son of one of my mother's friends bequeathed us his record collection. I think my brothers grabbed some of it. I took a dubby UB40 12" (not great), a couple of Springsteen LPs and one by Japan. Their music was subtle, spacious, melancholic, adept; more than the inventive musical style, though, it was Japan's visual image which drew you in: they had an individualistic style and deformed the norms of gender in a kind of effortless, uber-casual fashion. They...

Thursday, January 6, 2011

Mark's posts on authenticity

Faking it (Lessons on authenticity from Orson Welle's 'F for Fake')Phonographic moments(Why vinyl works on the big scre...

Mark's posts on age

DJ Mamy Rock (Growing old disgracefull...

DJ Mamy Rock

Over the festive period, I was surprized that it was my parents who told me about the latest stirring in club culture: the sweet old lady who used to run the haberdashers store in my home town had reinvented herself as an electro-rock DJ! Of course I could hardly believe it, but check this out:Ruth Flowers (aka DJ Mamy Rock) cleverly plays with our percepetions of age and popular music. She is not exactly a gimmick as she can actually DJ, create and release dance music, impress crowds with her live set, and tour internationally.Instead of being a gimmick she is a professional DJ act based on a gimmick: the notion that such an old person can be a central part of a youth cultural scene.Unlike the middle-aged hippies of European fringe culture she claims none of the cultural capital of a counter-cultural...

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